Informazioni
Joel Ross has amassed a dedicated following by creating music you have to lean into. That doesn’t make it any less palatable, but across the vibraphonist’s recorded output — 2019’s KingMaker, 2020’s Who Are You?, and 2022’s The Parable of the Poet— the compositions were somewhat complex, and ushered the virtuosity of his band’s live performance to a studio setting. For nublues, his remarkable fourth release as a leader for Blue Note, Ross challenged himself to create an album with a greater degree of accessibility — still intricate and adventurous, but with a strong emphasis on melody, ballads, and the blues. On purpose, nublues feels familiar, like you’ve already heard these songs in Greenwich Village somewhere. Though there are covers on this LP (John Coltrane’s “equinox” and “central park west”;Thelonious Monk’s “evidence”), this collection of newly written material exemplifies the bandleader’s evolution.
Ross has topped the DownBeat Critics Poll Rising Star category for vibraphone —graduating beyond the Rising Star to well-honed artist in 2021 — as well as theJazz Journalists Association Critics Poll for Mallet Instrumentalist of the Year in 2020 and 2021. He recently became one of the youngest artists to earn a coveted Residency Commission from The Jazz Gallery and a spot in The Jazz Gallery All Stars band through which he performed live at The Kennedy Center. In 2020, he received a Jazz Coalition Commission for Praise in the Midst ofThe Storm, a performance suite featuring Brandee Younger, Marquis Hill, Craig Weinrib, Dezron Douglas and longtime friend and collaborator Immanuel Wilkins, with whom he recently performed a three-night duo program live at The Village Vanguard as part of the storied venue’s streaming series. In 2021, Ross enjoyed a residency at Roulette Intermedium for Jazzfest Berlin, premieringoriginal work She Walks in the Spirit alongside Gabrielle Garo, Brandee Younger, Mimi Jones, Savannah Harris and Nappy Nina, and 4nette alongside Immanuel Wilkins, Thomas Morgan and Craig Weinrib, in January and May, respectively. He has performed multiple residencies at Baby’s All Right in Brooklyn.
Folkloric resonance incubates Ross’ artistry. Improvising melodies or composing at the piano, he leaves space for a theme to emerge and evolve, always inviting creative response. Nimble, virtuosic lines approximate speech. He often transitions among the roles of storyteller, protagonist and supporting character. Inspired by mentor Stefon Harris’ empathetic, whole-self approach to articulation, Ross has adopted an entire ethos dependent on truthful, ongoing communication. Honesty persists throughout his sets. And with each release, here affirms a commitment to authentic discourse.
A new albumis currently in the works and is scheduled for release in January 2026 on BlueNote.
The genesis of nublues dates back to 2020 when, during the Covid pandemic as live performances were shut down, Ross went back to the New School to finish his degree. One of his classes was taught by the alto saxophonist Darius Jones, who nudged students to dig into the history of the blues. That led Ross down a rabbit hole of what the blues can be; it isn’t just a 12-bar form. He realized it was a feeling. “Sort of a spirit or an energy,” Ross says. “It’s emotion, it’s expression. But I also want to stay true to the rhythmic ideations that we’ve already been developing.
The title track “nublues,” which was released today as the album’s lead single, unites the spirit of the blues with the unbridled nature of free jazz. “I don’t really tell the band how to play anything,” Ross says. “What I do tell them is to stay connected and make everything we do related to each other. And play the blues, however that comes off.”
In that way, nublues is a vast record with various entry points, an invitation to choose your own adventure. When asked what he wants to convey with this LP, Ross hesitates. “I don’t want my personal experience to be what people are thinking about when they’re experiencing it,” he says. “I generally want people to be able to come in and hear the music and interpret it through their own lens.”“I enjoyed the journey of diving into learning about the blues and understanding the history of the blues, really focusing on developing this band’s sound and band structure,” he says. “For me, it was just about the journey that came from getting into all of the information and figuring out what it was going to be. It’s a constant continuing. It’s a snapshot into how we’ve continued to do the same thing we’ve been doing and how it’s been shifting.”
- NUBLUES 2024
- THE CHICAGO EXPERIMENT – RIVISITED 2023
- THE CHICAGO EXPERIMENT 2022
- THE PARABLE OF THE POET 2022
- WHO ARE YOU? 2020
- KINGMAKER 2019
- IN COMMON 2018
