Informazioni

A select member of jazz’s piano pantheon, Fred Hersch is a pervasively influential creative force who has shaped the music’s course over more than three decades as an improviser, composer, educator, bandleader, collaborator and recording artist. He has been proclaimed “the most arrestingly innovative pianist in jazz over the last decade” by Vanity Fair, “an elegant force of musical invention” by The L.A. Times, and “a living legend” byThe New Yorker.

A fifteen-time Grammy nominee, Hersch has regularly garnered jazz’s most prestigious awards, including recent distinctions as a 2016 Doris Duke Artist, 2016 and 2018 Jazz Pianist of the Year from the Jazz Journalists Association, and the 2017 Prix Honorem de Jazz from L’Acádemie Charles Cros for the totality of his career.

If good things happen slowly, as the title of Hersch’s 2017 memoir attests, such good fortune has nonetheless accrued to the point where the pianist can enjoy the accolades and adulation of peers, critics and audiences alike. He has long set the standard for expressive interpretation and inventive creativity in a stunning variety of settings, whether through his exquisite solo performances, as the leader of one of jazz’s era-defining trios, or in eloquent dialogue with his deeply attuned duo partners.

With more than three-dozen albums to his credit as a leader or co-leader, Hersch consistently receives lavish critical praise and numerous international awards for each highly anticipated new release. His latest album with his long-standing trio, 2018’s Live In Europe(Palmetto), documents one remarkable evening in Brussels and has been hailed as its best to date – considerable praise for an ensemble that consistently plays at such a staggeringly high level.

The trio, in which Hersch has been joined by bassist John Hébert and drummer Eric McPherson for the last decade, was voted the #2 Jazz Group in the 2018 DownBeat Critics Poll, recognizing its unique ability to traverse a wide range of styles and approaches while maintaining profound depths of emotion and the exhilarating spark of invention. Its previous two Palmetto releases, 2016’s Sunday Night at the Vanguardand 2014’s Floating, were both nominated for Grammy Awards in the categories of Best Jazz Solo and Best Jazz Album.

Also in 2014, Hersch garnered his sixth Grammy nomination for his solo on “Duet” from Free Flying, a duo album with guitarist Julian Lage that received a rare 5-star rating from DownBeat. An exceptionally responsive and intuitive collaborator, Hersch has engaged in duo partnerships with a number of spirited artists, including Anat Cohen, Bill Frisell, Esperanza Spalding, Julian Lage and Miguel Zenon; and vocalists Kurt Elling, Kate McGarry and Renée Fleming.

As versatile and exploratory as his trio and duo excursions can be, nowhere is the boundless range and emotional diversity of Hersch’s artistry as evident as in his breathtaking solo performances. JazzTimes has hailed his unaccompanied playing as “a complete, self-sufficient, uniquely pure art form,” while All About Jazzhas remarked that “when it comes to the art of solo piano in jazz, there are two classes of performers: Fred Hersch and everybody else.”

In 2006, Hersch became the first artist in the 75-year history of New York’s legendary Village Vanguard to play a weeklong engagement as a solo pianist. His second solo run there was documented on the Grammy-nominated Alone at the Vanguard, one of five recordings he’s made at the iconic New York City club. His 2017 Palmetto album Open Book was, as the title implies, his most revealing and intimate solo outing, and was nominated for two 2018 Grammy Awards.

The album’s release coincided with the publication of his acclaimed memoir, Good Things Happen Slowly(Crown Archetype Books/Random House). The book compellingly reveals the story of his life in music along with a frank recounting of his struggles and triumphs as the first openly gay, HIV-positive jazz musician. It was featured in the Sunday New York Timesand on NPR’s “Fresh Air,” named one of 2017’s Five Best Memoirs by the Washington Postand The New York Times, and acclaimed as 2018’s Book on Jazz of the Year by the Jazz Journalists Association. His story has also been told via the feature documentary The Ballad of Fred Hersch, which premiered to a sold-out house at the prestigious Full Frame Film Festival in March 2016 and is now streaming on Vimeo.

While widely renowned for his playing, Hersch has earned similar distinction with his writing, garnering a 2003 Guggenheim Fellowship in Composition among other awards. The same year he created Leaves of Grass, a large-scale setting of Walt Whitman’s poetry for two voices (Kurt Elling and Kate McGarry) and an instrumental octet. Leaves of Grasswas selected to open the 2017 Jazz at Lincoln Center season at the Appel Room.

Hersch’s visionary 2010 theatrical project, My Coma Dreams,prompted the New York Times Sunday Magazine to describe the composer as “singular among the trailblazers of their art, a largely unsung innovator of this borderless, individualistic jazz—a jazz for the 21st century.”  Based on visions Hersch experienced during a two-month coma in 2008, the evening-length multimedia collaboration with writer/director Herschel Garfein for 11 instrumentalists and an actor/singer was captured on video at Columbia University and released by Palmetto on a 2014 DVD.

For two decades Hersch has been a passionate spokesman and fund-raiser for AIDS services and education agencies. He has produced and performed on four benefit recordings and in numerous concerts for charities including Classical Action: Performing Arts Against AIDS and Broadway Cares/Equity Fights AIDS. To date, his efforts have raised more than $300,000. He has also been a keynote speaker and performer at international medical conferences in the U.S. and Europe.

A committed educator, Hersch has taught at New England Conservatory, The Juilliard School, The New School and The Manhattan School of Music. He is currently a Visiting Artist at Rutgers University. He holds honorary doctorate degrees from Grinnell College and Northern Kentucky University. Hersch’s influence has been widely felt on a new generation of jazz pianists, from former students Brad Mehldau and Ethan Iverson to his colleague Jason Moran, who has said, “Fred at the piano is like LeBron James on the basketball court. He’s perfection.”

FRED HERSCH SOLO

FRED HERSCH TRIO

ENRICO RAVA & FRED HERSCH

Fred Hersch Trio: Sunday Night at the Vanguard (Palmetto PM 2183)*+ ∆ (2017 Double Grammy Nominee)
Fred Hersch: SOLO (Palmetto PM 2081)*+
Fred Hersch Trio: Floating (Palmetto PM 217)*+ ∆ (2014 Double Grammy Nominee)
Fred Hersch Trio: Alive at the Vanguard (Palmetto PM 2159)*+
Fred Hersch: Alone at the Vanguard (Palmetto 2147)*+ (2012 Double Grammy Nominee)
Fred Hersch Trio: Whirl (Palmetto PM 2143) *+
Fred Hersch Plays Jobim (Sunnyside 1223)+
The Fred Hersch Pocket Orchestra: Live at Jazz Standard (Sunnyside)*+ ∆ (release date: April 21, 2009)
The Fred Hersch Trio: Night and the Music (Palmetto 2124)*+ ∆
Fred Hersch in Amsterdam: Live at the Bimhuis (Palmetto 2116)*+ ∆ (2006 Grammy Nominee)
Leaves of Grass: The Fred Hersch Ensemble (Palmetto 2107)*+ ∆
The Fred Hersch Trio + 2 (Palmetto 2099)*+∆
The Fred Hersch Trio: Live at the Village Vanguard (Palmetto PM 2088) *+
Songs Without Words (Nonesuch 79612-2) *∆+
Let Yourself Go: Fred Hersch at Jordan Hall (Nonesuch 79558-2) *+
Thelonious: Fred Hersch Plays Monk (Nonesuch 79456-2)+
Fred Hersch & Friends: The Duo Album (Classical Action 1002)+
Fred Hersch Plays Rodgers and Hammerstein (Nonesuch 79414-2)+
Passion Flower: Fred Hersch Plays Billy Strayhorn (Nonesuch 79395-2)+
Point In Time: Fred Hersch (with Drew Gress, Tom Rainey, Dave Douglas & Rich Perry) (Enja ENJ-9035 2)*+
The Fred Hersch Trio Plays (with Drew Gress & Tom Rainey) (Chesky JD-116)*+
I Never Told You: Fred Hersch Plays Johnny Mandel (Varese Sarabande VSD-5547) (1995 Grammy Nominee )
Fred Hersch: Live At Maybeck, Volume 31 (Concord Jazz CCD-4596)*
Dancing In The Dark: The Fred Hersch Trio with Drew Gress & Tom Rainey (Chesky JD-90)+ (1993 Grammy Nominee )
Red Square Blue: Jazz Impressions of Russian Classics (Angel/EMI 54743)+∆
Forward Motion: The Fred Hersch Group (Chesky JD-55)*+∆
Heartsongs: Fred Hersch Trio with Michael Formanek and Jeff Hirshfield (Sunnyside SSC 1047)*+
Evanessence: A Tribute to Bill Evans featuring Gary Burton and Toots Thielemans (Evidence ECD 22204-2)*∆+
The French Collection: Jazz Impressions of French Classics (Angel/EMI 49561)∆
Sarabande: Fred Hersch / Charlie Haden / Joey Baron (Sunnyside SSC 1024)*+
Horizons: Fred Hersch Trio featuring Marc Johnson and Joey Baron (Concord Jazz CCD-267)*+

Video

Galleria Foto